[personal profile] khiemtran
This is the original opening from The Silver Bowl. It's frustrating, because it's still the version I default back to, when I think of the mood of the original story, despite its various flaws. I know I can write a lot better than this, but for some reason, this is the version that always comes back.



The lands of Charipan and Kor are gone now. There is nothing left.

When Dalmin was a child, the land of Kor stretched across a mountain valley two miles long and half a mile wide. When he was very young, the valley was his whole world, an enormous realm in which to roam. Surrounded on all sides by steep hills, it seemed to stretch as far as anyone could want to travel, especially one so small, whose legs were easily tired by the slopes.

Gradually, though, the world outside began to make itself known. At first, it was a place in stories.
“Once, Long ago, Outside the Valley…” they would begin, first in his mother’s voice, and then, later, in his Aunt’s. It was a made-up place where strangers and monsters hid, crouching behind the valley walls. You could see it, almost. Just beyond the ever present towering ridges. At any moment a monster might peek over, enormous, to wave down at a small boy in the valley.

Then, as he got older, Dalmin climbed each of the slopes himself, first with his father and then with his friends. The world outside was there all right, different from how he’d imagined it, but no less strange.
From the hills on the valley’s northern side, he could peer over into the valley of the Nau people, with whom the Kor traded. His father would point out the Nau houses, their strange roofs standing out amongst the trees, and, beyond them, the descent to the distant lowlands.

Looking back, they could see their own valley, their own houses just as tiny as the Nau’s. Tiny figures moved about the valley floor, tending animals, minding crops. Much of the valley floor was open, but the sides were lined with trees. Fertile soil was rare in the valley and the Kor grew their crops even on the steepest slopes, wherever a patch of soil could be cleared of rocks. Looking down on the villagers were the two familiar flanks of protective hills, only from this angle, they were suddenly small, dwarfed themselves by distant mountains.
Beyond the western hills was the land of the Bird People, even more alien than the Nau. They spoke with the sounds of birds, or so it was said, the Kor had little contact with them. Their homes were hidden, if they had homes at all. Perhaps they lived in trees or in giant nests.

The southern ridge was the steepest climb and the last to be conquered. From there, Dalmin could see over the valley of the Black River People, more sociable than the Nau, but odd in their own way, and then an endless sea of hills and valleys all the way to the giant blue peaks that marked the end of the world. Each valley no doubt had its own inhabitants, and who knew what monsters or strange creatures as well?

Date: 2007-04-30 02:26 am (UTC)
From: [identity profile] nycshelly.livejournal.com
It is nice. Maybe just tweak it.

Date: 2007-05-01 03:22 am (UTC)
From: [identity profile] khiemtran.livejournal.com
What things would you change?

Date: 2007-05-01 03:34 am (UTC)
From: [identity profile] nycshelly.livejournal.com
I think I'd just tighten it a bit, add some more tension if I could, mostly to make it move a bit faster. I'm sure words can be removed or things combined a bit, that sort of thing. Some of it is just writing style, but I think it could probably be punched up a bit if it's shortened.

In a way, it reminds me of the dilemma I had with my opening. I finally went back to the original one, but I took some stuff out, individual words and whole sentences, left some backstory for later, and so on to keep it moving.

I hope I'm making sense.

Date: 2007-04-30 08:10 am (UTC)
ext_12726: (Default)
From: [identity profile] heleninwales.livejournal.com
I do like that. I could imagine sitting back, slowing down and waiting for the narrator to tell me a beautifully detailed story, slower paced than modern best sellers, but fascinating and strange.

Date: 2007-05-01 03:21 am (UTC)
From: [identity profile] khiemtran.livejournal.com
Thanks. I don't think it's publishable in that particular form though. For starters, there are a number of prose and structural issues. Notice how the narrative seems to run out of breath on one idea and then has to start again? There's a very stop-start rhythm to the first few paragraphs that doesn't sound natural. In a more conversational storyteller voice, I could get away with the narrator linking the different topics with digressions. In the past-omni voice I used here, you can see I didn't quite have the knack of making it all seamless. There are too many opening lines and too many ending lines in a passage that really needs only one of each. Likewise there's some clumsy prose, for example the use of the same construction "first X then Y" twice in consecutive paragraphs. I fixed that in later versions, but the rather convoluted wording I needed spoilt the effect.

Date: 2007-05-01 03:27 am (UTC)
From: [identity profile] khiemtran.livejournal.com
And the clichés. Ugh.

Bzzzzz!

Date: 2007-04-30 10:49 am (UTC)
From: [identity profile] zornhau.livejournal.com
Nice writing, and believable well observed-characterisation. However - sorry - unless I were already a fan, you'd lose me by the second paragraph.

Re: Bzzzzz!

Date: 2007-05-01 03:27 am (UTC)
From: [identity profile] khiemtran.livejournal.com
Noted. The pacing is actually okay for the story, since the whole story is roughly the same. There are battles and massacres and murders, but much of the real plot happens between them rather than in them. There are a number of different techniques for making slower narratives more interesting that I didn't know then - for example, providing more evidence of contradiction or mistaken belief, or setting up a conflict between what is shown and what is told.

I've also done faster paced versions ranging from in media res ("Dalbinsina, you will lose your son...") to illustrative action (a group of boys racing down one of the hills en route to meeting the start of the plot), but none of sit as well with me as the original opening.

Re: Bzzzzz!

Date: 2007-05-01 08:16 am (UTC)
From: [identity profile] zornhau.livejournal.com
Interesting what you say about techniques for slower pacing, I hope you'll expand on those some time...

Perhaps the text you have could stay, but with an extra thread laced through it, e.g.

When Dalmin was a child, the land of Kor stretched across a mountain valley two miles long and half a mile wide. When he was very young, the valley was his whole world, an enormous realm in which to roam - not merely an oasis of order, overlooked by the Chaeos Lords of Zorg.

Re: Bzzzzz!

Date: 2007-05-01 09:46 am (UTC)
From: [identity profile] khiemtran.livejournal.com
At the moment, I'm leaning towards the opening with the boys racing down the mountain, purely for pragmatic reasons. I don't like it as much, but at least it works and it sets up the story nicely. On the downside, it shows the main character more by his characteristics than his character (ie. the race illustrates his determination and his relationship with his peers, but doesn't capture the boy who dreamed of monsters peering over the valley).

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